Tuesday, September 30, 2014
Talleres en la Muestra Estatal de Teatro 2014
Muestra Estatal de Teatro 2014
Hermosillo Sonora
Hermosillo Sonora
TALLERES
CREACIÓN “AQUÍ Y AHORA”, PARA INTÉRPRETES Y CREADORES ESCÉNICOS
Del 10 al 13 de octubre de 10:00 a 13:00 horas
Lugar: Sala Luis López Álvarez de Casa de la Cultura de Sonora
Instructor: Claudio Valdés Kuri / Teatro de Ciertos Habitantes
Cupo Limitado a 20 personas
Del 10 al 13 de octubre de 10:00 a 13:00 horas
Lugar: Sala Luis López Álvarez de Casa de la Cultura de Sonora
Instructor: Claudio Valdés Kuri / Teatro de Ciertos Habitantes
Cupo Limitado a 20 personas
IMPROVISACIÓN TEATRAL PARA JÓVENES Y ADULTOS
Del 13 al 15 de octubre de 18:00 a 20:00 horas
Lugar: Ludoteca de Casa de la Cultura de Sonora
Instructor: Fabián Garza /ImproTop
Cupo Limitado a 20 personas
Del 13 al 15 de octubre de 18:00 a 20:00 horas
Lugar: Ludoteca de Casa de la Cultura de Sonora
Instructor: Fabián Garza /ImproTop
Cupo Limitado a 20 personas
COMUNICACIÓN NO VERBAL PARA JÓVENES Y ADULTOS
El 16 y 17 de octubre de 18:00 a 20:00 horas
Lugar: Ludoteca de Casa de la Cultura de Sonora
Instructores: Jofrán Méndez, Eduardo Domínguez
Y Daniela Flores/ Seña y Verbo
Cupo Limitado a 20 personas
El 16 y 17 de octubre de 18:00 a 20:00 horas
Lugar: Ludoteca de Casa de la Cultura de Sonora
Instructores: Jofrán Méndez, Eduardo Domínguez
Y Daniela Flores/ Seña y Verbo
Cupo Limitado a 20 personas
TÉCNICA DE TEATRO PARA SORDOS PARA ARTISTAS ESCÉNICOS
El 16 y 17 de octubre de 09:00 a 13:00 horas
Lugar: Sala Luis López Álvarez de la Cultura de Sonora
Instructores: Jofrán Méndez, Eduardo Domínguez
Y Daniela Flores/ Seña y Verbo
Cupo Limitado a 20 personas
El 16 y 17 de octubre de 09:00 a 13:00 horas
Lugar: Sala Luis López Álvarez de la Cultura de Sonora
Instructores: Jofrán Méndez, Eduardo Domínguez
Y Daniela Flores/ Seña y Verbo
Cupo Limitado a 20 personas
Aparta tu lugar al 2 54 19 37 Coordinación de Artes Escénicas
Obtén tu camiseta de la Muestra Estatal de Teatro 2014, al inscribirte a algún taller.
Obtén tu camiseta de la Muestra Estatal de Teatro 2014, al inscribirte a algún taller.
Tuesday, September 23, 2014
Monday, September 22, 2014
Taller virtual: Producción escénica para Danza.
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Para leer la revista "Reflexiones en torno a la danza".
AQUÍ: http://issuu.com/mercatflors/docs/revista0910cast Puedes encontrar la Revista REFLEXIONES EN TORNO A LA DANZA 4. Entre los artículos que están publicados puedes leer "La danza en México es hoy, sin mas y sola" por Gustavo Emilio Rosales.
Friday, September 19, 2014
Mitos sobre las Carreras Universitarias en Danza
http://danceu101.com/articles/2014-09-11/truth-about-college
The Truth About College
Are dance degrees pointless? Will you gain weight on campus? Don’t believe everything you hear.
Kathryn Van Yahres and Alex Hathaway in Serenade at Point Park, photo by Jeff swensen, Courtesy Point Park
As a high school senior, Kathryn Van Yahres didn’t think she wanted to go to college. She was serious about dancing professionally—and she’d heard that college dance programs were fallbacks for dancers not good enough to get jobs right out of high school. But after auditioning for colleges at her parents’ insistence, she found herself surrounded by top-notch dancers at Point Park University. Now, as a newly minted graduate, she feels more prepared than ever to rock company auditions.
There are all kinds of myths about college—and even more rumors about what the experience is like for dancers. Having trouble telling fact from fiction? Here are six college myths, debunked.
Myth 1: College programs focus on modern dance, and modern dance alone.
“I think when we hear a program is ‘modern-based,’ everyone imagines rolling on the floor and never taking ballet,” says Lee Buoy, a dance student at Marymount Manhattan College. “But it’s really nothing like that.” At MMC, for example, the program is both modern- and ballet-based. BFA students are expected to take ballet all four years, and much of the rep they dance requires a strong ballet background.
“I think when we hear a program is ‘modern-based,’ everyone imagines rolling on the floor and never taking ballet,” says Lee Buoy, a dance student at Marymount Manhattan College. “But it’s really nothing like that.” At MMC, for example, the program is both modern- and ballet-based. BFA students are expected to take ballet all four years, and much of the rep they dance requires a strong ballet background.
While many programs in the U.S. do focus on modern dance, more and more schools are specializing in other areas. “Butler University, Indiana University and our school are all known for their ballet programs,” says Michael Tevlin, a dance professor at University of Cincinnati College-Conservatory of Music (CCM). Point Park, in Pittsburgh, PA, draws many former competition kids, and Oklahoma City University specializes in tap and musical theater dance. Utah Valley University even offers a degree in ballroom. There are all kinds of options out there.
Myth 2: You can’t be on the dance team and in the dance department.
At many schools, you can—especially if you’re super type-A and love keeping color-coded schedules. “We’ve had three dance majors perform on the dance team in the last three years,” Tevlin says. “The sheer physicality of it is difficult, though.” You may find yourself with a little stylistic whiplash after switching from bunhead to dance teamer and back again in the same day. But in most cases, as long as the organizations’ schedules don’t overlap, it can be done.
At many schools, you can—especially if you’re super type-A and love keeping color-coded schedules. “We’ve had three dance majors perform on the dance team in the last three years,” Tevlin says. “The sheer physicality of it is difficult, though.” You may find yourself with a little stylistic whiplash after switching from bunhead to dance teamer and back again in the same day. But in most cases, as long as the organizations’ schedules don’t overlap, it can be done.
Myth 3: You’ll gain the “freshman 15.”
Some dancers do gain weight when they leave home, as they adjust to all-you-can-eat cafeterias and late-night snacking. But according to Tevlin, the problem is less pronounced now than it used to be. Cafeterias are stocking more healthy options, and students today are educated about nutrition. If you’re smart and focused on fueling your body well, you shouldn’t have a problem. In fact, Buoy found that he needed to eat more in college than he did before. “I actually lost weight my freshman year because I was dancing and rehearsing so much,” he says.
Some dancers do gain weight when they leave home, as they adjust to all-you-can-eat cafeterias and late-night snacking. But according to Tevlin, the problem is less pronounced now than it used to be. Cafeterias are stocking more healthy options, and students today are educated about nutrition. If you’re smart and focused on fueling your body well, you shouldn’t have a problem. In fact, Buoy found that he needed to eat more in college than he did before. “I actually lost weight my freshman year because I was dancing and rehearsing so much,” he says.
Myth 4: College programs are a last resort for dancers who couldn’t get company contracts after high school.
This rumor is beyond outdated. Today’s companies require the kind of versatility and maturity you’ll learn in a college program. “I would argue that most dancers aren’t ready to go pro after high school,” Buoy says. “Go to company websites and read the dancers’ bios—more and more of them include college degrees.”
This rumor is beyond outdated. Today’s companies require the kind of versatility and maturity you’ll learn in a college program. “I would argue that most dancers aren’t ready to go pro after high school,” Buoy says. “Go to company websites and read the dancers’ bios—more and more of them include college degrees.”
Myth 5: College means setting aside professional goals for four years.
While some schools used to advise dancers not to start professional careers until after graduation, today colleges are creating ways for students to experience professional life—and even earn college credit for it. “In their junior or senior year, students at CCM can intern with professional companies if they’re offered trainee or company positions,” Tevlin says. “We give them credits for the work, and whatever credits they aren’t able to earn with the company they fulfill online.”
While some schools used to advise dancers not to start professional careers until after graduation, today colleges are creating ways for students to experience professional life—and even earn college credit for it. “In their junior or senior year, students at CCM can intern with professional companies if they’re offered trainee or company positions,” Tevlin says. “We give them credits for the work, and whatever credits they aren’t able to earn with the company they fulfill online.”
At Point Park, Van Yahres took a leave of absence during her sophomore year to dance with Huntsville Ballet Company in Alabama. “The school was totally behind me taking the job,” she says, “and gave me credit for all the hours I worked.” She also took general education classes at a nearby community college. When she returned to Point Park the next year, she had grown as a dancer and was still on track to graduate on time.
There are other ways to kickstart your professional career in college, too. It’s the perfect time to make connections that will be valuable down the road. “The professors and guest artists you work with are preparing you for great opportunities,” says Sakina Ibrahim, who recently earned an MFA in dance from University of California, Irvine. “They can help set you on a career path.” Buoy agrees.“If you know which companies and choreographers you want to audition for after graduation, you can start taking their classes and workshops, doing their summer intensives and going to their shows,” he says. “I know a dancer who did a company’s intensive every summer and often took classes with them in her free time. When she graduated, she was given an apprenticeship.”
Myth 6: A dance degree is pointless.
Actually, a dance degree tells people a lot of great things about you. It means you’re disciplined, committed and performance-driven, and that you can pick up new skills quickly. Those are valued qualities in any profession. “Dancers are some of the smartest people on the planet,” Buoy says. “We’re problem solvers.”
Actually, a dance degree tells people a lot of great things about you. It means you’re disciplined, committed and performance-driven, and that you can pick up new skills quickly. Those are valued qualities in any profession. “Dancers are some of the smartest people on the planet,” Buoy says. “We’re problem solvers.”
According to Tevlin, a dance degree can also work to your advantage if you decide to pursue a graduate degree—even if you’re applying to law and medical programs. Dance backgrounds appeal to “schools that are really looking for diversity of background and experience,” he says. A dance degree isn’t a limitation, but a launching pad.
As seen in Dance Spirit September 2014
Thursday, September 11, 2014
Friday, September 05, 2014
Cursos de Certificación Fletcher Pilates en Hermosillo
CURSOS PARA OBTENER LICENCIA FLETCHER PILATES
Estos cursos de 5 días preparan al participante para obtener Licencia Fletcher Pilates para enseñar las diferentes tàcnicas y disciplinas que ofrece nuestro programa educativo.
Son 5 días de trabajo que permiten al participante entender verdaderamente el sentido de los Principios de movimiento del Metodo Pilates , los Fundamentos Fletcher y la Tecnica de Respiracion percusiva que le ayudaran a abordar las rutinas de movimiento impartidas de una manera mas profunda, de manera que podrán enseñar a sus clientes de una forma mas clara , efectiva y segura para ellos.
Para ser elegible para adquirir Licencia es necesario ser maestro de Pilates, fisioterapeutas,y otros profesionales del movimiento como bailarines profesionales, maestros de danza. entrenadores físicos,etc Sin embargo pueden tomarlo como parte de su formación alumnos que deseen un mayor entendimiento del método o que aspiren a ser maestros de Pilates.
FLETCHER PILATES MATWORK
Nuestro curso abarca todos los ejercicios del Matwork haciendo énfasis en los Fundamentos Fletcher y los Principios de Movimiento de Pilates , se enfoca en las diferentes mecánicas de la columna e incluye rutinas para progresión y transiciones creativas.
El Matwork Fletcher Pilates toma como base la correcta alineación , la iniciación presisa, así como la articulación de la columna vertebral mismos que son conceptos y principios del método creado por Joe Pilates
Mediante el foco en los Fundamentos Fletcher y la técnica de Respiración Percusiva los participantes consiguen adquirir un entendimiento profundo del Matwork lo cual los hace maestros muy competentes.
REFORMER LICENSING COURSE
A Los ejercicios del Reformer càsico se les da nueva vida a través de la atención Fletcher Pilates al detalle y la iniciación a través de la respiración . Innovaciones únicas de Ron Fletcher en el aparato de Pilates infunden a esta parte del plan de estudios con una calidad de movimiento y precisión raramente visto en otros lugares.
FLETCHER PILATES INTENSIVE LICENSING COURSE
Esta experiencia Fletcher en profundidad es la forma ideal de mejorar su práctica profesional. Desarrolle sus habilidades de movimiento y de enseñanza a través de nuestros EXCLUSIVOS cursos y técnicas tales como
Piso Fletcher
Barra Fletcher
Toalla Fletcher
COSTO POR 1 CURSO 1000.00 DLLS beca del 20% para estudiantes de la UNISON
Info: almasofiagarcia@hotmail.com
Pro Studio Blvd. Luis Encinas 398 Col. Valle Verde
Estos cursos de 5 días preparan al participante para obtener Licencia Fletcher Pilates para enseñar las diferentes tàcnicas y disciplinas que ofrece nuestro programa educativo.
Son 5 días de trabajo que permiten al participante entender verdaderamente el sentido de los Principios de movimiento del Metodo Pilates , los Fundamentos Fletcher y la Tecnica de Respiracion percusiva que le ayudaran a abordar las rutinas de movimiento impartidas de una manera mas profunda, de manera que podrán enseñar a sus clientes de una forma mas clara , efectiva y segura para ellos.
Para ser elegible para adquirir Licencia es necesario ser maestro de Pilates, fisioterapeutas,y otros profesionales del movimiento como bailarines profesionales, maestros de danza. entrenadores físicos,etc Sin embargo pueden tomarlo como parte de su formación alumnos que deseen un mayor entendimiento del método o que aspiren a ser maestros de Pilates.
FLETCHER PILATES MATWORK
Nuestro curso abarca todos los ejercicios del Matwork haciendo énfasis en los Fundamentos Fletcher y los Principios de Movimiento de Pilates , se enfoca en las diferentes mecánicas de la columna e incluye rutinas para progresión y transiciones creativas.
El Matwork Fletcher Pilates toma como base la correcta alineación , la iniciación presisa, así como la articulación de la columna vertebral mismos que son conceptos y principios del método creado por Joe Pilates
Mediante el foco en los Fundamentos Fletcher y la técnica de Respiración Percusiva los participantes consiguen adquirir un entendimiento profundo del Matwork lo cual los hace maestros muy competentes.
REFORMER LICENSING COURSE
A Los ejercicios del Reformer càsico se les da nueva vida a través de la atención Fletcher Pilates al detalle y la iniciación a través de la respiración . Innovaciones únicas de Ron Fletcher en el aparato de Pilates infunden a esta parte del plan de estudios con una calidad de movimiento y precisión raramente visto en otros lugares.
FLETCHER PILATES INTENSIVE LICENSING COURSE
Esta experiencia Fletcher en profundidad es la forma ideal de mejorar su práctica profesional. Desarrolle sus habilidades de movimiento y de enseñanza a través de nuestros EXCLUSIVOS cursos y técnicas tales como
Piso Fletcher
Barra Fletcher
Toalla Fletcher
COSTO POR 1 CURSO 1000.00 DLLS beca del 20% para estudiantes de la UNISON
Info: almasofiagarcia@hotmail.com
Pro Studio Blvd. Luis Encinas 398 Col. Valle Verde
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